June 22, 2018
Thanks to Alissa Simon, HMU Tutor, for today’s post.
“Man wishes to be happy, and only wishes to be happy, and cannot wish not to be so.” – Blaise Pascal
Listening to Beethoven’s 9th Symphony recently got me thinking about the difference between joy and happiness. Why does Beethoven end the 9th with an “Ode to Joy?” Why not “Ode to Happiness?” So many authors have discussed the importance of the idea of happiness, but not necessarily joy. Assuming that Pascal (and many others) are correct in stating that happiness is man’s ultimate desire, it would be important to better understand the term. Mortimer Adler writes (in the Syntopicon): “Discussion begins rather than ends with the fact that happiness is what all men desire. Once they have asserted that fact, once they have made happiness the most fundamental of all ethical terms, writers like Aristotle or Locke, Aquinas or J.S. Mill, cannot escape the question whether all who seek happiness look for it or find it in the same things.”
The fact that happiness is difficult to define may also explain why joy is also difficult to define. For Beethoven’s piece, is the final joy only attained in the presence of God? Is joy a goal that must be reached in brotherhood, but not alone? Is it fleeting? The rising and falling movement of the music renders emotion, which for me, clearly expresses joy. I wonder, however, do all people react similarly? And, if I misinterpret the music’s emotion, does it make a difference?
I think of joy as a form of extreme bliss, though I am not sure if this is accurate or precise. Merriam-Webster lists joy as “a state of happiness or felicity,” but that does little to help me differentiate between happiness and joy. The same dictionary lists happiness as “a state of well-being and contentment.” Both definitions invoke the idea of a state of being, suggesting impermanence. Happiness includes the idea of contentment, though, which implies a level of permanence. Also, happiness is listed as one of the great ideas in the Syntopicon, while joy is not. In fact, the idea of happiness as a great idea is discussed in terms of permanence or a great achievement, rather than a momentary pleasure. And of course, the authors of the Declaration of Independence named the “pursuit of happiness” as an inalienable human right. From these usages, we can begin to craft an idea of happiness.
Classical philosophers are split between defining happiness as a temporal good or one that can only be attained in the afterlife. There seems to be agreement on the idea that happiness implies a state of contentment, but beyond that, the basis for happiness ranges from physical health to wealth to wisdom and to a virtuous life. Many of the things that they propose to measure happiness can only be measured at the end of life, which makes me wonder if temporary moments of happiness are incorrectly termed? Perhaps these shorter moments interspersed throughout life sometimes fall under the category of joy, but not quite happiness. Socrates develops an idea of happiness by explaining to Glaucon (in The Republic) that justice is “concerned not with the outward man, but the inward.” He moves then to state that happiness is a natural form inside every human. This essence cannot be separate from us, though it can be mistaken or missed altogether. Others, such as Kant, Milton, and Aquinas, explain that only imperfect happiness exists on earth, and perfect happiness will be attained in the afterlife. Regardless of philosopher, however, they agree on the value of the contemplation of happiness.
In writing the final movement of the 9th Symphony, Beethoven altered a poem by Johann Christoph Friedrich von Schiller titled “An die Freude.” According to the Cambridge Dictionary, freude can mean “joy, pleasure, delight, gladness or rejoicing,” but does not mention happiness directly. Instead, the German term expresses an ecstasy not present in Merriam-Webster’s English definition of joy (a state of happiness or felicity). I also like the way that “freudenvollere” (which means “more joyful”) compounds “joy” with the idea of being filled. In Beethoven’s piece, the music literally fills all space (ear, body, etc) with joy. It is a physical movement, which for me, is a most appropriate translation of “An die Freude.” Also important is the fact that Beethoven was near the end of his career when he wrote the piece. Nearly deaf at this time, I believe that a lifetime of experience developed the emotion of that piece.
I wonder if there is a difference in the entire conception between the two terms. Is joy meant to be transitory, ecstatic, fleeting and impossible to chase, whereas happiness is meant to attain a steady sense of fullness, as in a life well-lived? While I am sure we would all like to have some joy, typically we discuss happiness as an end in itself. Why? Possibly because of joy’s transitory nature. Possibly because joy, or an overfilling, seems too much to ask, whereas happiness appears attainable.
Regardless of the intent behind the 9th Symphony “Ode to Joy”, I think Beethoven (and Schiller) nailed it. Music expresses emotion in a way that language alone cannot. To better understand what I mean here, listen to the wide variety of musical interpretations in German, English and Spanish (I offer a small sample below, but there are endless versions online). A comparison may highlight some key features of joy.
Ode to Joy Flash mob, Barcelona: https://www.youtube.com/watch?v=kbJcQYVtZMo
Miguel Rios sings Himno de la alegria: https://www.musica.com/video.asp?video=5285
Ritchie Blackmore, rock ‘n roll: https://www.youtube.com/watch?v=CrniC87g6X0
Flash mob, Nürnberg: https://www.youtube.com/watch?v=a23945btJYw
Baroque Symphony: https://www.youtube.com/watch?v=ljGMhDSSGFU
For more on happiness, consider joining our upcoming Quarterly Discussion on Augustine. Contact as****@hm*.edu with questions or to register.
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