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Tag: Film review

We’re excited that you’ve joined the conversation! At HMU, we want to continue the great authors’ conversations in a contemporary context, and this blog will help us do that. We look back to Aristotle and the early philosophers who used reason and discourse to gain wisdom and now we endeavor to do the same every day.


Thanks to Aaron Ducksworth, a 2023 Fellow in Ideas, for today’s post.

November 10, 2023

Many movies of various genres have been made about the relationship between humans and anthropomorphic technology and the complicated relationship between them – think The Terminator franchise (1984-2019), I, Robot (2004), Virtuosity (1995), and The Matrix franchise (1999-2021). M3GAN is different! Not because it attempts to bridge the gap between horror and science fiction through an AI-based film,

 » Read more about: FILM REVIEW: Philosophical Roots in Tech-Horror  »

Thanks to Eden Tesfaslassie, a 2022 Fellow in Ideas, for today’s post.

May 20, 2022

The main themes the audience sees explored in Akira Kurosawa’s 1950 film Rashōmon are death, truth, and losing faith in humanity. The story conveys this message with the frame of a murder trial, but even by the end of the film, the audience still does not definitively know what happened or who committed the crime.

 » Read more about: FILM REVIEW: Rashomon  »

March 11, 2022

Thanks to Alissa Simon, HMU Tutor, for today’s post.

Last week marked the end of HMU’s Winter Film Series. I cannot express how much I love this series. If you were unable to join us, never fear, we will host another film series next winter. In the meantime, the following thoughts resulted from this wonderful discussion.

As usual, leader Gary Schoepfel opened discussion with some quotations focused on the idea of Truth.

 » Read more about: Rosencrantz and Guildenstern Are Dead, Film Discussion  »

February 18, 2022

Thanks to Alissa Simon, HMU Tutor, for today’s post.

In Akira Kurosawa’s 1950 film Rashomon few facts can be established. As with most murder mysteries, the viewer sees a tangled web of evidence unfold before them. Unlike most murder mysteries, the audience begins to assume the role of judge and jury. Though we never receive an answer to the crime, the audience weighs details from each testimonial.

 » Read more about: Truth in Rashomon  »

February 11, 2022

Thanks to Gabriel E. Etienne, a 2021 Fellow in Ideas recipient, for today’s post.

The movie Moonlight is a coming-of-age story that details the complexity of the journey of boyhood to manhood of the character Little/Black/Chiron through the issues of authentic Blackness and hegemonic masculinity (Johnson 2003). This review uses the concepts of Quiet and Silence to view and understand the movie Moonlight.

 » Read more about: Film Review: Quiet and Silence in Moonlight  »

January 21, 2022

Thanks to Alissa Simon, HMU Tutor, for today’s post.

I have written about George Orwell’s novel 1984 in the past on this blog (see the links at the end of this post), but never the film. Today’s post focuses on the film adaptation, Nineteen Eighty-Four. The film stars John Hurt playing Winston and Richard Burton as O’Brien. (This film is the first of three discussions in our Winter Film Series which is dedicated to the great idea of Truth.

 » Read more about: Truth in Nineteen Eighty-Four  »

October 15, 2021

Thanks to Jaya Upadhyay, a 2021 Fellow in Ideas, for today’s post.

To the Bone (2017), a Netflix film, opens with two potent sequences. The first is a scene in which two stick-like figures emerge from the backdrop and approach the screen. These are women engaged in an eating disorder treatment program where the lead character, Ellen (Lily Collins) is enrolled. The second scene shows Ellen being weighed in her underclothes while her step mother Susan (Carrie Preston) questions her,

 » Read more about: FILM REVIEW: To the Bone  »

July 31, 2020

Thanks to Alissa Simon, HMU Tutor, for today’s post.

For an introduction to the film, listen to Johnny Flynn’s “Queen Bee” from the movie Emma.

I think that something about the practiced manner of public behavior attracts us yet today. Emma is the picture of etiquette in almost all instances. When she does behave badly, great lessons are learned.

 » Read more about: Film Review: Emma.  »

March 17, 2017

Thanks to Alissa Simon, HMU Tutor, for today’s post.

The second half of Shakespeare’s Henry IV is difficult to stage, to say the least. It is an incredibly long play as well as staging scenes in thirteen different locations. It’s ambitious goal was to develop characters. Shakespeare is one of the first to take an old style farce and develop these tropes into characters. Therefore, Henry IV,

 » Read more about: Henry IV, Part Two  »

November 18, 2016

Thanks to Peter Ponzio, Doctor of Arts, Harrison Middleton University, for the following film review of the 2008 BBC production of Little Dorrit.

Charles Dickens was a prolific author, penning some fifteen  novels, hundreds of articles, editing two periodicals (Household Words and All the Year Round) as well as editing two newspapers, Bentley’s Miscellany and The Daily News

 » Read more about: Film Review: Little Dorrit  »

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