Category: Justice
We’re excited that you’ve joined the conversation! At HMU, we want to continue the great authors’ conversations in a contemporary context, and this blog will help us do that. We look back to Aristotle and the early philosophers who used reason and discourse to gain wisdom and now we endeavor to do the same every day.
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July 31, 2026
Thanks to Alissa Simon, HMU Tutor, for today’s post.
According to Emily Wilson, a Greek hero is extraordinary because of their connection to the divine. The closer one is to the gods, the more heroic the human. So, heroes don’t need to do good deeds or have impressive moral standards. Instead, Greek heroes are uncannily victorious, beyond superior on the battlefield. One might say they have a lot of plot armor.
May 8, 2026
Thanks to Alissa Simon, HMU Tutor, for today’s post.
The “Town-Ho’s Story” is one of the more enigmatic chapters in Moby Dick (which contains plenty of enigmatic chapters). Situated between “The Gam” and “Of the Monstrous Pictures of Whales,” the “Town-Ho’s Story” serves multiple purposes. First of all, at this point in the story, Ahab isn’t interested in any gams. He doesn’t care to chat with other whalers unless they can point him to the white whale.
December 12, 2025
Thanks to Ibrahim Nureni, a 2025 Fellow in Ideas, for today’s post.
In Margo Natalie Crawford’s Black Post-Blackness, tidalectics is characterized by “nonlinear” or “back-and-forth” black radical tradition of continuity in that the experiences of black people from the era of slavery to the contemporary days do not follow a parallel path but adopt a circular schema (3). English, in How to See a Work of Art in Total Darkness,
» Read more about: Alexander’s “Praise Song for the Day”: A Serial and Tide of Black Voices »
October 31, 2025
Thanks to Alissa Simon, HMU Tutor, for today’s post.
For the October Quarterly Discussion, we read a selection from Seneca’s “On the Shortness of Life” in combination with Nelson Mandela’s statement at the opening of the defense case in the Rivonia Trial (Pretoria Supreme Court, April 20, 1964). Mandela’s speech ends with the words:
“During my lifetime I have dedicated myself to this struggle of the African people.
August 29, 2025
Thanks to Estella Achinko, a 2025 HMU Fellow in Ideas, for today’s blog.
I have always been fascinated by the way nations rise and fall. Whether it’s the brutal rule of totalitarian regimes in Europe, the iron-fisted dictatorships of Africa, or the complex democracy of the United States, governance has remained a delicate, often unpredictable experiment. History does not provide a single blueprint for a successful state—only cautionary tales and fleeting moments of prosperity.
» Read more about: The Success of a Nation: Rethinking the Ideal State »
January 24, 2025
Thanks to Alissa Simon, HMU Tutor, for today’s post.
The Winter Film Series kicked off with the hard-hitting Women Talking. The film, directed by Sarah Polley, profiles a small, isolated Mennonite community in Bolivia. A series of incidents lead the women to discover that some men in the community have repeatedly drugged and then sexually assault them. The women hold a plebiscite on whether to do nothing,
March 29, 2024
Thanks to Jennifer-NeToi Claiborne, a 2024 HMU Fellow in Ideas, for today’s post.
When the air is warm, the smell of rain and honeysuckles fill the breeze, I know that it is summer and it is time to return to Siddhartha. I first read this book in the summer of 2000, when I was in the midst of a great change in my life. It was the summer prior to entering my freshman year of college.
November 3, 2023
Thanks to Alissa Simon, HMU Tutor, for today’s post.
The October Quarterly Discussion merged two chapters from The Prince by Machiavelli with a chapter from Gibbon’s Decline and Fall of the Roman Empire. Of prime interest was the focus on the Roman Emperor Septimius Severus. Machiavelli presents him as a champion of the princely cause since he successfully tricked and killed his opponents,
September 8, 2023
Thanks to Alissa Simon, HMU Tutor, for today’s post.
If it’s been awhile since you have read Machiavelli’s The Prince, you might consider reading an excerpt with us this fall. We will examine two chapters of it in the October Quarterly Discussion. (Reach out to Alissa at as****@*mu.edu for more information). I was also thinking about how one might teach this work, how to bring it to life in the eyes of the students.
February 18, 2022
Thanks to Alissa Simon, HMU Tutor, for today’s post.
In Akira Kurosawa’s 1950 film Rashomon few facts can be established. As with most murder mysteries, the viewer sees a tangled web of evidence unfold before them. Unlike most murder mysteries, the audience begins to assume the role of judge and jury. Though we never receive an answer to the crime, the audience weighs details from each testimonial.